After
her accident, Leveda Leeman was the girl who could find things. A
lost earring here, a misplaced sweater there, buttons and stray
knitting needles and once a lost letter. No one thought much about it
at the time.
The
night before she turned six, Leveda fell from the hay loft in her
daddy's barn and landed cruelly on a jagged heap of metal tractor
parts. It was three long weeks before she woke up on the makeshift
cot in the kitchen and if Naomi Leeman, who had never left her side
in all that time was to be believed, her first words were It's
in the root cellar, Mama, by the corn crib.
Her
youngest child had been unconscious - at death's door if the truth be
told and now nothing but skin and bones - for almost a month and
naturally Naomi barely heard the words. She cradled Leveda and smiled
through a flood of tears, finally pulling herself together long
enough to send one of the older boys for Will.
Fetch
your daddy, William, she told him, Tell him she's
awake!
The
root cellar, Leveda repeated, by the corn crib, then
the sensible and far more welcome words, I'm hungry, Mama.
Yes,
child, Naomi soothed her, Hush now, there's soup on
the stove and your daddy's comin', jist hush now.
Leveda's
recovery was the talk of the village. The Courier picked up the
story, then the Spectator and finally a reporter from the Chronicle
(all the way from Halifax!) showed up on the Leeman's front porch.
They smiled and asked questions and took pictures, drank Naomi's
coffee and wrote about miracles. It was heady stuff, everyone agreed,
overwhelming for a poor farm family on an isolated island and
crucifying for a shy six year old who couldn't even remember the
accident. After the Chronicle's story, William and Naomi had had
enough. They quietly and politely began to turn folks away, shielding
themselves from any more attention, wanting nothing more than to
raise their family and work their farm as they had before. Laveda
turned seven, then eight, then in the blink of an eye, twelve and
thirteen. By then, except for the Leemans, the accident was all but
forgotten and the little girl who had come so close to dying, was a
happy, bright-eyed and pretty teenager. She walked with a barely
noticeable limp - a tractor part had sheared a tendon in one leg and
it never quite completely healed - but it was a small price to pay,
Will and Naomi liked to tell each other, a small price for a life.
Naomi had never told Will about Laveda's waking words, had, in point
of fact, never given them another thought. Until Will's mother, Miz
Lucy, took to feeling poorly.
Wisdom
and age were valued commodities in the village but practicality was
valued more and the practicality of it was that at 86, Lucy Leeman
was increasingly more forgetful about keeping the wood stove fire
going or taking her medicine or turning the iron off. Sometimes she
lost track of time and wasn't sure what day it was. She began getting
lost and sometimes would forget to eat or worse, eat and not clean
up, leaving a feast for the ants.
The
older boys are gone, Naomi pointed out to Will
reasonably, so the spare room's empty. She eats like a bird
anyway and it'll be easier to keep an eye on her here rather than
traipsing down to The Point two, three times a day. I reckon we'll
both be feelin' better if she's here with us.
When
he hesitated, Naomi smiled. If somethin' were to happen,
Will, she said gently, I reckon it'd be better here
than there.
And
so, Lucy came to stay. Will and the boys scubbed and polished the
floor and repainted the walls. Naomi sewed curtains and Laveda washed
the windows until they shone. They beat the old oval rug within an
inch of its life and laid it back down looking new. Nana brought some
spare linens and towels and Aunt Pearl recovered a chair she wasn't
using and had two of the Sullivan boys deliver it. Aunt Vi sent
lavender cachets and sweet smelling soap for the tiny bathroom and on
the day Lucy moved in, Miz Clara was there with fresh flowers by the
armfuls and a small windowbox herb garden. It was a good day.
Laveda
helped her grandmother arrange her belongings - the little bedside
clock, the patchwork quilt she'd had since her wedding night, her
Bible, a small collection of books and her porcelain figurines, a
slightly battered radio, her knitting basket, her scrapbooks - and
finally a jewelry box, a miniature hope chest with a sweet cedar
smell, no bigger than a breadbox and still with its original smooth
and well cared for finish. Laveda brushed her fingers over it and -
just for the merest second - something around her, something very
nearly primal, seemed to shift and she jumped back, withdrawing her
hand as if she'd touched a live wire. The muscles in her face
contracted sharply and then instantly relaxed, her eyes closed and
then opened in surprise.
It's
not lost, she muttered, it's in the root cellar by
the corn crib. The chain broke and it fell off but you didn't see.
Alarmed,
Lucy snatched the girl and gave her a thorough shake.
Laveda!
she said more harshly then she intended, Laveda, what are
you talking about?
The
girl shook her head as if to clear her vision and gave her
grandmother a puzzled look.
Your
cameo, Gran, she said clearly, the one granddaddy
gave you. It fell off when you was in the root cellar that day. The
day I fell.
How
do you know that, child? Lucy demanded, Tell me how
you know that!
But
Leveda just shrugged and wriggled free, tugging at her grandmother
hands and pulling her to her feet.
The
root cellar, mostly unused since Will had renovated the shed into a
greenhouse garden, was damp and dark and smelled of mildew but
Laveda, holding her lantern high, went straight to the corner where
the remains of the corn crib still stood. She knelt and began
brushing away the crumbles of dirt and spider webs - it gave Lucy an
unexpected chill to watch and she felt a little trembly, as if a
goose had walked over her grave - and then Leveda gave a gentle tug
and pulled the long missing cameo free. Lucinda Laveda Leeman
promptly fainted dead away.
They
had to tell Naomi, of course, she knew where the spirits of amonia
were and certainly wasn't about to hand them over without a proper
explantion, but, they all agreed, there weren't much need for anyone
else to know. Leveda continued to be the girl who could find things
and her gift came to be taken for granted although there was never to
be another find like the cameo.
Reckon
she jist has a talent for it, Naomi would say and do her
best to ignore the queer feeling in her belly when she thought of the
root cellar or the accident. The cameo had brought back the memory of
Laveda's words when she'd woken up and she didn't like to think about
it.
It
don't do to dwell on them things you don't understand, Will, she
said firmly and put the whole matter to rest, The child's got
a knack for finding things is all, like some kin find water or such,
ain't that right, Mama?
Oh,
ayuh, Lucy would say, running her fingers over her cameo
necklace and smiling to herself, I 'spect so. I
certainly 'spect so.